Three Tips for Promoting Your #Writing

This post is for writers who want to promote their work and are new at it.

Promotion is a necessary evil in a writer’s profession. Like it or not, if you want the world to see your work, you have to wade in these muddy waters. If you are someone like me who dreamed of hiding in her cave and churning out words, it can be a rude fact to wake up to. Believe me, I didn’t relish talking about myself at all as necessitated for so called platform building. Talking about the book was a little easier. However, as I started to make friends and meet like-minded people during the book promotion whirlwind, I began to sort of ease into this stuff.
For those beginning to test these waters, here are my two cents worth. Hope these tips will help.

>>Write consistently
So you have a new book out. If you have been on the social media for some time,  you will be looking for interviews and guest posts to put the word out for your new release. Having a pile of blogposts to write can play havoc with your schedule. My advice: Rather than releasing ten posts in a week, space them out. Do a post a day or four a week but don’t lose sight of the fact that you are a writer. Don’t stop working on your next book.

>>Make time for social media regularly
This can seem a contradiction of the first. But the truth is, just like you can’t stop writing,  you can’t stop blogging or tweeting or updating facebook status or whatever it is that you are fond of doing in the way of social networking. The key factor here is to do it in small bites. A ten minutes twitter break while writing. Using the  half hour of post lunch relaxation for blogging. You get the drift. Fix a limit for networking and stick to it. I know it’s hard. So it’s okay to let go once in a while. We’re humans, not mechanical timers that can be set to go off at a particular time 🙂 But do try to exercise restraint 😉

>>Share others’ work and support them
The more you step out for others, the more you will receive from them in your turn. And really in the writing world there is no competition. At least my writer friends haven’t heard of it; kudos to them! 🙂 Writers are among the most supportive lot in all professions. So do try to do as much as you can for your writing buddies.

These are the skimmed cream equivalent from what I’ve been learning. More in later posts as I learn the ropes of promotion especially in the world of self publishing.

Hope you found this post helpful. Do share your own promo tips in the comments 🙂

Guest post by Sundari Venkatraman – Tips on being a self-publisher and being successful 

Today I have author Sundari Venkatraman on my blog. She has recently released her new book ‘The Runaway Bridegroom’ on Amazon which is her third self published book. Please welcome her for her chat about how to be a self published author and be successful in this tough market.

Take it away, Sundari! 🙂

…..

Thank you Summerita Rhayne for asking me about my favourite subject!

As I have mentioned during many interviews, I had tried to get my books into traditional publishing for 13 years. Later, I managed to publish one book through Indireads. But even before Double Jeopardy, I had four and a half books to my name and had published all of them as weekly series on my blog. Luckily for me, Indireads refused to publish these books for whatever reason. When Rubina Ramesh suggested self-publishing them on Amazon, I jumped at the chance. Exploring the option with help of Rasana Atreya’s blog on self-publishing, I found that it’s a very simple process where I needed to invest in a cover and editing only. After that, all I had to do was upload the book and market it.

 

On being successful, I think it was nothing short of a divine plan. I am a fan of social media and have always been active on my blog (Flaming Sun has 5,91,008 hits as I am writing this); facebook, twitter and google+. Having worked for a couple of websites under the Network 18 umbrella, what I realise is that the only way to promote yourself via social media is to promote others.

 

  • Visit blogs and post “relevant” comments (believe me, people know when you post something inane without reading the article)
  • Share others’ posts when you find them relevant or interesting (just ‘like’ing is not enough; that does not help spread the word)
  • “Shout” about other authors’ works (you can be truthful and talk about those that you genuinely found interesting but take that extra few seconds to actually spread the word). When your twitter account is connected to facebook, the post automatically gets tweeted.
  • Create an author page on Amazon and encourage your friends to ‘like’ the page
  • Add all book reviews that you have written to Amazon page. The reviewer ranking works to an extent. I prefer to add on Amazon sites of all countries as the reviewer ranking varies with each one.
  • Most importantly, get yourself a blog tour. I get mine done through The Book Club and believe me when I say that sales soar after the tour. It’s a great help as many bloggers get together to review, spotlight and interview the author. Then there are those guest posts that are gaining popularity. People are keen to know what makes the author tick and a one-question plan works better for blog readers than a lengthy interview.

And the rest, as they say, is history J

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Thanks for sharing your views and experiences, Sundari. It’s lovely to know about your positive and encouraging attitude and I’m with you on this that authors helping authors can multiply visibility for all involved.

This post is a part of the tour for Sundari’s book, ‘The Runaway Bridegroom’

 

 

 

 
THE RUNAWAY BRIDEGROOM
by
Sundari Venkatraman
 
 

Blurb

 
Chanda Maheshwari’s family is shaken when her thirteen-year-old bridegroom Veerendra runs away immediately after the wedding. The eight-year-old child doesn’t even understand the impact on her life. Unable to face their neighbours and friends, the Maheshwaris move from their village to Jaipur and begin a new life in the city.
 
Fourteen years later, Chanda is studying in a Delhi College. She takes up a temporary job at RS Software Pvt. Ltd. and falls head-over-heels for the boss of the operation. But what about  Ranveer Singh? Is he interested in her?
 
Ranveer’s secretary Shikha is desperate to make him fall for her. All she wants is life-long security with a rich man. But it’s nerd Abhimanyu who keeps getting in the way. Abhi is Ranveer’s second-in-command and Shikha isn’t keen on him as she’s eyeing the main chance. 
 
When Ranveer appears to show interest in Chanda, she’s faced with a new problem. Astrologer Vidyasagar insists that she would get back with her husband Veerendra. Does anyone want to know what she wants? 
 
Chanda feels torn between the man she has fallen for and the family values that have been instilled in her. Will she ever find happiness? 
 
Buy @
 




Meet the Author
 
 
Sundari Venkatraman has authored four ebooks so far, The Runaway Bridegroom being the latest. Three of her books, namely, The Malhotra Bride; Meghna and The Runaway Bridegroom have all been self-published on Amazon under the banner of Flaming Sun. All three books are regularly seen on Amazon’s Top 100 Bestsellers’ Contemporary Romances list. 
 
A great fan of Mills & Boon romances over the past four decades, Sundari has always believed in ‘Happily Ever Afters’ and all her books promise happy endings. 
 
The Runaway Bridegroom talks about ‘Child Marriage’, an evil perpetrated even in the 21st century in a country like India. While a large number of the country’s population live in the cities and lead modern lives, there are many who follow old customs unaware of the negative impact on the lives of the younger generation. 
 
The book is a work of fiction and of course does not preach. The author has but made an attempt to bring this ancient custom to the eyes of the modern public around the world while bringing a simple solution to the protagonists, the victims of child marriage. 
 
“I hope you enjoy reading the book as much as I loved writing it,” says Sundari Venkatraman. 
 
You can stalk her @
         
Check out the Blog Tour Schedule Here 
Hosted by




This Tour is Hosted by 

 Blog hosted by Summerita Rhayne, author of sensual romance, Against All Rules

Guest post by Author Aditi Chopra – Plot vs Characters #writingtips

Today I have author Aditi Chopra on my blog, talking about the importance of plot versus characters in writing. Please welcome her.

Take it away, Aditi!

……

As a writer, do you develop plot first or your characters? For some authors, plot is very important whereas others spend a lot of time on character development. I am fairly new in fiction writing profession, but if I look back at my stories so far, I have invariably always spent my initial time on character development. For each of my stories, I always honed in on the main character – her profession, her needs, desires and personality traits. I asked myself why a reader would find this person interesting. I then went on to develop the appropriate plot.

I believe that as readers, we always invest in people (characters). There are some characters that we completely identify with and there are some characters that we can’t connect with. But invariably what intrigues a reader is the character. If the readers like a character, they will invest time in reading the story.

This doesn’t mean that the plot is not important, it most certainly is. As writers, we definitely need to spend appropriate research and time in plotting. But if you were to ask my preference, I do spend more time or my initial time in character development. If I can bring out my character’s personality in my plot, I am happy with my story.

……

Thank you, Aditi! I agree with you one hundred per cent. Relatable characters or at least characters whose motivation you can understand, are the life and breath of a story. Wish you all the best in your writing! 🙂

About the Author

Aditi Chopra writes NRI (Non-Resident Indian) fiction and non-fiction books. Her fiction stories are rooted in Indian tradition and yet very modern. You can find her at www.aditichopra.com

Five pointers for your perfect chapter #writetips

Hi people! Here’s a guest post I did for writer friend Maya Tyler about how I judge what is a perfect chapter. The excerpts are from my wip Tahir and Samara’s story. I’ve put them in bold.

Guest Post from author Summerita Rhayne

Guest week concludes with a post from the talented Summerita Rhayne with some writing pointers. Enjoy! 

 

Five pointers for your perfect chapter #writetips

 

Hi Maya, thanks for inviting me to your blog. Lovely to be here. Today I’m feeling rather pleased with myself and I’d like to share why.

Often writing is full of setbacks and frustrations. Characters veering away from the story. Dialogue dragging. Descriptions ballooning into essays…we have a phrase in India – sleeping, weeping and eating (sona rona khana) can be stretched any length and so can the descriptions. You name it, you got it. All writers know, the troubles are innumerable. And let’s not even mention the pov woes. Sometimes I have started on a character’s pov and nearly written almost a whole book. Some characters have lots of internal dialogue 😉

But then there’s the rewarding aspect of writing. When you go back and read something you have written and it’s perfect. You know when your writing says exactly what you want to say in the same tone and without the description of it taking away from the flow of the story. That moment is what you write for! This happened with me yesterday. I was reading a book and as usual comparing myself to the writer and bringing myself down. Thinking I could never get to THE point. Then I closed the book, in a woeful mood and began to reread the work in progress. I came across what is at present chapter seven. And voilà it was there. I had written a perfect chapter. One that satisfied my logic seeking mind and also was re-readable. There are parts in my ms which I like, love or hate and some which could be done better (thank God I’m editing) but this one I’m not going to retouch.

 

So how do I measure perfection?

Here are the things I look for in a perfect chapter.

 

1) Pace

This is the absolute, foremost must for me. If the story drags, reading slows down and becomes weighty to the reader. In this, dialogue is a handy tool. Smart dialogue sprinkled with what action characters are doing, adds to the pace.

Here’s an excerpt from the chapter I’m currently liking too much (no knowing tomorrow it may show up some flaw 😉 I like the way the dialogue adds pace to the reading. Do you agree?

‘Samara. Inside. Now.’ Tahir paused a nanosecond near her desk on his way to his office to deliver the imperative.

There was no reason her hackles should rise, she was used to his brusque ways, wasn’t she? 
‘I’ll just finish typing this letter and come.’

‘I said this instant.’ A sharp tap of a blunt index finger on the glass top of her table punctuated the words. He didn’t wait for her response, striding off beyond his office door.

 

2) Conciseness Next thing I work on is brevity. This is a bit tricky because you need to write the necessary action without being clipped. I’d say for emotional reaction, just show small changes in facial expressions or some telling gesture relatable to the character. You want to show anger? Write terse, pithy phrases. Want to show surprise? Just have your character drop something.

Here’s another snippet in which the hero’s mood is conveyed through short pithy phrases.

‘Have you prepared the due diligence report I asked you to?’

‘It’s in my drawer.’ 

‘What’s it doing there? Laying eggs? Why don’t I have it?’
‘Because you hadn’t asked for it.’ Mutiny sparked through her, her pulse rate increasing as she waited for his reaction, sure he would come up with something sarcastic.
He didn’t disappoint. ‘So I have to ask before you’ll do your work?’ His tone was loaded with sarcasm, as soothing to sensitive nerves as a needle bed.

 

3) Description without detraction This is just a follow-on from the above point. Since we don’t want to just leave the reader scratching their head, some description is necessary. Just stay close to what is needed. If we want to feel the breeze, focus on a single object like your heroines hair whipping across her neck, rather than describe the effect on each and every thing the wind is blowing at in the scene.

Soon they were weaving out of Delhi traffic. He turned on the road to Manesar. She slid up her sun glasses, attempting to enjoy the breeze on the open road, finding her eyes straying to him as he leaned back, handling the controls with ease, looking deadly with those aviators and those spikes. Thank God he couldn’t see behind her glasses.

 

4) Show characters’ motivation and emotional state without passive telling Does your chapter focus on their behaviour in synchrony with their internalization? If your heroine is tired, does she misplace things? Put the cookie jar lid on the mixer instead?

In this portion, the beating of his pulse is the external sign of his anger.

‘Do I pay you to cross-question me?’ His brows lifted in what looked like mildly inquiring expression but she could see by the pulse that beat at his jaw that she’d angered him. This man was living breathing fire. She didn’t want to get in the way of his blast.

Or maybe she did.

‘It isn’t easy when you keep on trying to find fault in everything I do.’ She told him, meeting his glance.

 

5) Interaction between the characters propels the scene forward  A punch should mark the end. Something you need to establish or change or the charcaters react to. A chapter – not even a first one – can’t just be there to set the stage for your story. Have the characters act the change or react to the change.

A short time later they descended the lift and came out on the compound. Samara hesitated as he led the way to his silver Audi. She knew he drove it himself. It wasn’t that she hadn’t been in the car with him before but on those occasions they had been in the backseat discussing work. Driving with him seemed much more informal somehow.

‘Let’s go.’ Tahir directed.
‘But the team?’ Maybe she could travel in the company car.   
‘They’ve left. I just feel like a drive today. Why are you hesitating, Samara?’ He moved to the driver’s side, a sudden edge appearing to the apparent soft voice, ‘Not afraid to be in the car with me, are you?’ His drawl sent her hackles up, combined as it was with a mocking grin. 
‘Of course not. It just feels odd to be driven by my boss.’ she said coolly and climbed in beside him, determined not to give him anything to get hold of. 
  She drew her legs in and shut the door, her skirt riding up in the process. ‘Aren’t you wearing your skirt shorter than usual?’ She’d been about to draw it down but now she resisted the urge out of a mutinous impulse she hadn’t known she could have. It arose from the censorious tone he’d used. And the deliberately personal nature of the comment. 
‘I don’t see it’s any business of yours.’    
‘So it wasn’t for my benefit?’ he fired the car and soon they were turning out of the gates.

 

So this is my take on the necessary ingredients to whip up a pefect mousse of a chapter J

Since I don’t often feel like this about my writing, this chapter did a huge uplifting of my spirits…Read more on Maya’s blog